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The Old Bridge

If you've visited Lancaster, you've probably been to Bridge Lane - but you may not be aware of it.

Modern map showing the location of Bridge Lane in Lancaster.
Modern map showing Bridge Lane, from streetmap.co.uk

This short, steep stretch of the A6 runs down the hill from the end of China Street to the corner of Cable Street and Damside, near the bus station. Most of us - sitting in traffic on the one-way system, or taking our lives in our hands crossing the road on the blind corner at the foot of the hill - have probably never noticed the name, let alone stopped to wonder why it’s called Bridge Lane when there is no bridge in sight.

To find the answer we need to go back in time. For most of Lancaster’s long history, the lane bent to the left halfway down the hill. (A trace of this old route remains in the pedestrian underpass beneath the access ramp to the multi-storey car park.) From there it ran past what is now the Three Mariners pub, all the way down to the river and at last to the bridge for which it was named.

A hand drawn and coloured map showing a simple street plan of Lancaster in 1610. The layout is still recognisable in the roads at the heart of modern Lancaster. but none of the outer residential areas or suburbs exist on this plan..
John Speed's map of Lancaster, 1610. The Old Bridge is prominent at the top.

This bridge stood close to the location of the modern Millennium Bridge. For thousands of years, this area was the only place to cross the River Lune within Lancaster. The river near here was fordable at low tide, forming a crossing point that would have been used by local people long before records began. The Romans were probably the first to build a bridge, giving troops from their fort on Castle Hill easy access to the north bank of the river. Unfortunately there are no surviving records to pinpoint the location of a Roman bridge, and even the course of the river itself may have been different in this period. The first written records we have date from much later. Documents from 1215 onwards mention several royal grants of timber for the bridge's upkeep - suggesting that the bridge of this era was built mainly out of wood. It crops up in other records too, showing that it was well used and maintained. On at least half a dozen occasions over the next couple of centuries, temporary tolls known as 'pontage' were levied for periods of several years at a time to pay for repairs.

At this time the bridge was usually called the Loyne Bridge, or simply the bridge at Loyncaster. (Loyne and Loyncaster are just older versions of the names of the River Lune and Lancaster.) There's no record of when the wooden bridge was rebuilt in stone, but plenty of later images show that the new design was typical of the late middle ages, around 1300-1500. It was this stone bridge, surviving for centuries, that eventually came to be known as the Old Bridge.

Oil painting showing a stone bridge with 4 arches crossing over a river. A dramatic cloudscape fills the sky in the upper half of the painting. In the background a castle and a church with a square tower overlook the town and the bridge from the top of a hill. The water below the bridge is low as the tide is out. In the foreground a family group is gathered around a small pile of barrels on the shore. Two sailors are leaning against a rowing boat nearby, and a larger vessel is moored to the right. Its sails are down and two men appear to be working on it, perhaps replacing the anchor: one is standing on the deck of the ship holding the cable while the other stands in a horse-drawn cart below, reaching up to hold the anchor.
Lancaster Old Bridge, c.1750, attributed to Edward Dayes.

Standing at the heart of Lancaster and as a key part of the primary north-south road through the west of England, the bridge must have been the site of any number of dramas over the ages, but only a few have come down to us through history.

In 1652, not long after George Fox founded his Religious Society of Friends (the Quakers) and began preaching across the North-West, he caused so much controversy amongst the religious and political establishment that he was not only accused of blasphemy and brought before the court at Lancaster Castle, but an irate crowd also threatened to throw him over the side of the Old Bridge.

During the Jacobite Rising of 1715, the bridge itself was briefly threatened with destruction in an effort to delay the Jacobite forces that were advancing from the north. But the townspeople objected, pointing out that the army would still be able to cross the shallow river by way of the ford. In the end only parts of the parapets at the northern end of the bridge were demolished. The Jacobites passed quickly through the area and were defeated shortly afterwards at the Battle of Preston. 

Painting of a stone bridge with 4 arches spanning a tidal stretch of river, with the water low enough to expose the piers at the foot of the bridge. There's blue sky above with a few clouds and a pink tinge to the east suggesting it's early in the morning. The water below the bridge is calm, reflecting the sky and the arches of the bridge. White buildings line the far bank of the river above a stone quayside. A castle and church sit on top of a hill beyond. On the nearer shore in the foreground a single masted wooden vessel is pulled up on the strand. Two men are in small wooden rowing boat at the edge of the water, while another empty rowing boat is moored in the middle of the river. A few other people are standing or strolling at various points on the bridge.
Lancaster Castle from the River Lune, c.1790, Robert W Salmon.

Most surviving depictions of the bridge date from some time after this incident, and show it intact except for these damaged parapets. Why they were never repaired is unclear; it certainly caused a few problems. The 18th century was a period of rapid growth in Lancaster, and traffic over the river was increasing dramatically. The narrow medieval bridge with its missing parapets became the scene of frequent accidents. One woman with a horse-drawn cart full of coal fell from the bridge after a wheel came off her cart. She was badly injured and her horse was killed. Another carter was lucky to escape injury when he landed in the water after a similar accident in the same year. A seaman named John Gregory fell to his death a few years later, while a six-year old boy survived a fall onto sand that had collected on one of the bridge's piers. 

Despite its dangers the Old Bridge was a popular subject for local artists in the Georgian era. The paintings shown here are just a few of those in our collection.

In 1782 an act of Parliament was passed to allow the construction of a new bridge further upstream, to replace the crumbling Old Bridge as Lancaster's main crossing point over the river. Designed by Thomas Harrison, this elegant Georgian structure was completed five years later and is still in use today. It was known at first simply as the New Bridge, before gaining its modern name of Skerton Bridge. 

The Old Bridge remained in use for a few more years, until its history took a strange turn. In 1802 it was sold to John Brockbank, who owned a shipyard a short distance upriver. He promptly had the northern arch of the bridge demolished so that his newly built ships could pass downstream complete with masts and rigging. Until that point his business had been hampered by the need to tow each hull under the low bridge and step the masts at a different site further down the river. Removing the obstacle of the bridge would also have made it easier for incoming cargoes of timber and other supplies to be delivered directly to his shipyard. 

Two similar paintings showing the same scene from different angles. The first is looking upriver. The bridge in the centre has three intact arches to the right, but the leftmost arch has been demolished. Rough stonework shows at the end of the remaining section to the right, and on the left a stone abutment slopes upwards only to end abruptly. In the foreground a woman is driving several cows down to the river to drink. Nearby, two men are having a conversation beside an incomplete boat with its ribs exposed. On the far shore, in the background, buildings rise up the side of a hill topped by a church and castle. The second painting is a view downstream. The foreground is dominated by the hull of a ship under construction, to the right of the scene. It's propped up by timbers and surrounded by wooden scaffolding. There's a figurehead representing Lord Nelson, in Georgian naval uniform consisting of a dark coat, white breeches and a bicorne hat. The ship is named Trafalgar. A couple of men are working on its upper deck beneath a sheer-legs crane. Beside the ship a woman walks past carrying a basket on her head, accompanied by a child. To the left a man is working on a small wooden boat with a smoking container on the ground beside him, perhaps melting tar to seal the seams of the boat. A rough wooden fence separates the shipyard from the river beyond. The bridge extends into the scene from the left but comes to an end in broken stonework where the last arch has been demolished. The riverbank to the right is rough and grassy, with no remaining stonework visible from this direction. Further downriver, several tall ships with two or three masts each are moored beside the quay, which is lined with stone warehouses, many of which are 5 or 6 storeys high.
Two watercolours from our collection showing the Old Bridge from opposite directions after the northern arch was taken down.
LEFT: View of the Old Bridge, Lancaster, c.1805, Gideon Yates.
RIGHT: Brockbank's Shipyard, Lancaster, c.1806, attributed to John Emery.
Only two arches of the bridge remain in this picture. There is a mound of broken stonework in the gap, between the two missing arches. Two small boats are moored in the river. The background is similar to earlier images, with buildings clustered on the side of the hill beyond the river, and the church and castle at the top. In the foreground a man is holding an axe and standing with his foot on a log. He's talking to a woman holding a bundle of smaller sticks, with a small child beside her.
Lancaster Old Bridge, 1809, Gideon Yates.

After the removal of the first arch, nature was allowed to take its course with the rest of the bridge. The second arch on the northern (Skerton) side collapsed only five years later in 1807, under the pressure of heavy autumn floods. In February 1814 the combination of a hard winter and a high spring tide saw the arch at the opposite end of the bridge beside St George's Quay damaged by floating chunks of ice, said to be as much as 16 inches (40cm) thick. This put the adjacent road at risk, so the damaged arch was taken down and a wall built in its place to shore up the quayside and the remains of the bridge.

This black and white engraving focuses on the single remaining stone arch of the bridge, which is attached to the quayside by a solid stone wall. The arch and broken end of the bridge are reflected clearly in the high water of the river. A small boat is sailing past on the left. A row of buildings lines the road behind the bridge, with the castle and church on top of the hill beyond.
The Last Arch of the Old Lune Bridge, c.1820, artist unknown.

Shorn of its original purpose, local people still found uses for the raised area on top of the truncated bridge. Reports from around 1820 suggest that the space was used as a sort of civil court, where commercial disputes and other cases could be heard in public. The picturesque ruin continued to attract attention from artists too, and the story of its gradual decay emerges in a series of paintings, drawings and engravings.

At some point in the next quarter of a century, the connection between the quayside and the last arch must have fallen down or been demolished, as the last few paintings of the bridge show a single isolated arch standing sentinel in the river. This finally collapsed at 5am on the 29th December 1845. The timing was lucky, since children often played on the ruins during the day. But in the early morning no-one was near enough to be in any danger, and there was only a single witness to the demise of this last bastion of the Old Bridge.

Almost two centuries later though, some traces do remain. If you look over the side while crossing the Millennium Bridge, you might be able to make out some of the foundation stones embedded in the mud. The Old Bridge is immortalised in art and history, and even in our language; visit Skerton and you might hear the locals refer to the area at the bottom of Lune Street, where the bridge once stood, by the telling nickname of 'down Old'.

This dramatic oil painting is done in shades of orange and brown, showing a single stone arch surrounded by shimmering water at sunset. The centre of the sky above is golden, with clouds around the edge and the sun just hidden behind them. To the left is the high stone wall of the quayside, separated from the broken end of the arch by a few metres of water. Through the middle of the arch there is the silhouette of a boat's hull on the shore some distance away. To the right, the river and its northern bank fade into darkness.
Lancaster Old Bridge with Skerton shipyard beyond, c.1840, John Henderson.
References & Further Reading

Much of the information in this article comes from books available in the reference section of Lancaster Central Library, including:

  • The Making of Lancaster, George Howson
  • Time Honoured Lancaster, Cross Fleury
  • Lancaster, A History, Andrew White
  • A History of Lancaster, ed. Andrew White
  • Lancaster, A History and Celebration, Robert Swain

All images are copyright Lancaster City Museums, unless otherwise stated.

A black and white engraving showing a somewhat stylised view of Lancaster from the North-East. The castle and priory church dominate the scene from Castle Hill in the centre of the image. The sea can be seen in the background, with the River Lune winding its way inland past the castle and through the town, into the foreground of the picture. The old bridge crosses the river from the foot of castle hill to the small village of skerton on the opposite bank.
Buck's North East Prospect of Lancaster, 1728. The Old Bridge crosses the river from the foot of Castle Hill to the small village of Skerton on the opposite bank.
Lancaster City Council logogram

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